Life Story Magazine
The Darker Side Of Johnny Depp
The actor explores some really disturbing themes in this
trio of films
By Kevin Zimmerman
Spring 2007
While he’s no stranger to dramatic roles (see separate
story), occasionally Johnny Depp has been called upon to go beyond the norm and
play some very intense parts. Following is a look at three of his grittiest
films…
Donnie Brasco
Year of Release: 1997
Co-Starring: Al Pacino, Michael Madsen, Bruno Kirby, Anne Heche
Written By: Paul Attanasio, based upon the book Donnie Brasco: My Undercover Life in the Mafia
Directed By: Mike Newell
Johnny Plays: Donnie Brasco/Joseph D. "Joe" Pistone
Johnny Says: "I thought Pacino was as good or greater
than he’d ever been."
Production Notes: This true story follows FBI agent
Joe Pistone as he infiltrates the mafia of New York, working under the name
Donnie Brasco to befriend Lefty Ruggiero (Pacino), a lieutenant of kingpin
Sonny Black (Madsen.) As Black consolidates his power, Pistone continues to
collect evidence – at the cost not only of his marriage (to Heche), but also to
Ruggiero, who Pistone knows will be punished when the FBI brings charges
against Black.
"I did meet some very heavy underworld figures through this
project," says Depp, "and the thing is, I liked them very much, along with some
very heavy upper echelon FBI guys who I could also identify with. They happened
to be at cross-purposes, enemies. But they do have a lot in common. Growing up,
we’ve all been taught the good/bad guy mentality. But it all boils down in the
end to the same game – survival."
Depp also spent a lot of time with the real Donnie Brasco,
Joe Pistone. "He’s got an interesting rhythm to his speech. I did my best to
get that. I put great pressure on myself to make it … right for the guy. He
lived it. I was just pretending."
"He brought a sensitivity to the part," adds Pistone.
"That’s a side of me that a lot of people don’t see. It was amazing – a lot of
times during the shoot, I’d close my eyes and say, ‘That’s me talking!’ It was
eerie."
Of the character’s double life, Depp says, "It’s a man doing
a job, putting food on the table for his wife and his children. He’s given a
job, he has to do it, that’s all." Still, he can’t help adding, "If I were in
that situation, I think probably I would have been killed, because of a sense
of loyalty."
The Brave
Year of Release: 1997
Co-Starring: Marlon Brando, Frederic Forrest, Clarence Williams III
Written By: Paul McCudden, Johnny Depp and D.P. Depp, based upon the Gregory McDonald novel
Directed By: Johnny Depp
Johnny Plays: Raphael
Johnny Says: "I was bashed around, and brutalized,
and savagely penetrated. So basically, what I’ve been doing with The Brave is,
I’m sitting on it until the smoke clears. And then I’ll release it."
Production Notes: This is one of those legendary
"unseen" films, never released in the U.S. (though it is available on DVD
overseas). Depp’s sole feature film directing effort tells the story of a
Native American man (Depp), recently released from Prison, who’s offered a
chance to star as the victim in a snuff film in return for $50,000, which would
help his poverty-stricken family. It doesn’t have the happiest of storylines
(for the uninitiated, a snuff film is one where a person is actually killed
before the camera), although Depp remains proud of it.
"It’s an interesting situation and there are a lot of
parallels to the atrocities that were committed against Native Americans a
century ago," he continues. "Going into a snuff movie is like going into battle
for this guy because of his upbringing. He doesn’t have a real education, he’d
done a couple of years in prison, he can’t get a job because of that, and as a
Native American and Mexican, he’s been exposed to the kind of racism that
really does exist in this country. He wants to provide for his family, but he
can’t, so it’s a really extreme situation and a very heavy subject to deal
with."
Although the film got a standing ovation when it was
screened at the Cannes Film Festival, American critics almost uniformly loathed
it, leaving a bitter taste in Depp’s mouth – and his refusal to release it
here. "I was welcomed into the fold, I was accepted as a filmmaker and my film
was applauded. And then the next morning, all these heinous quotes came out,"
he recalls. "’Commercial flop,’ it doesn’t mean anything to me. A big success
means only that someone, somewhere, is going to pocket some dough. And that’s
not the reason why I did the movie. I didn’t do it to please anyone, apart from
my actors and myself."
Blow
Year Of Release: 2001
Co-Starring: Penelope Cruz, Rachel Griffiths, Ray Liotta, Paul Reubens, Ethan Suplee, Emma Roberts
Written By: David McKenna and Nick Cassavates, based upon the book by Bruce Porter
Directed By: Ted Demma
Johnny Plays: George Jung
Johnny Says: "He (George Jung) made between $300-600
million. And he got busted and now the money’s gone."
Production Notes: This is another true-life tale,
this time telling the story of George Jung, who at a young age vows to never
have to struggle to make ends meet like his parents do. Moving to California,
he begins selling pot; after a sting in prison, he quickly becomes instrumental
in establishing the exploding U.S. market for cocaine in which he claimed that
he handled about 85% of the supply in the 1970s. However, the high life
ultimately costs too much – both literally and figuratively – with Jung ending
up back in prison.
Depp spent two intense days with the real George Jung;
currently serving time until 2014, and he and Blow director Ted Demme
(who ironically died of an accidental cocaine-induced heart attack in 2002)
both spoke to the FBI on Jung’s behalf. "There were a lot of clanging metal
doors, it was really uncomfortable," Depp recalls of the prison visit. "You
have to empty your pockets and go through metal detectors and get checked out.
But Jung was a very charming and smart guy; he’s doing his time. I thought,
‘Yeah, he did a lot of horrible things,’ but in a way, I saw him as a victim of
his upbringing – as we all are."
Depp continues to hope that people who see Blow take
its message to heart. "We’ve all gone through the whole thing of thinking that
drugs are just party time," he says. "You can sort of live that lie that it is
recreational, but it’s not. We’re trying to hide from something, trying to mask
something, trying to numb ourselves from something. Really, getting loaded to
that extent is just postponing the inevitable, which is you are going to have
to face the demon someday."
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